Faculty

Celeste Jankowski, Violin
Celeste Jankowski  began her violin training at the age of six in Japan under the direction of the renowned pedagogue, Dr. Shin'ichi Suzuki.  She holds a Bachelor of Music degree in Performance from the New England Conservatory in Boston, where she studied with Eric Rosenblith and Paul Kantor.  Directly following her graduation, Celeste won a position with Symphony Nova Scotia, and was appointed Acting Assistant Concertmaster for one season. After three seasons in Symphony Nova Scotia, Celeste relocated to her native Virginia where she pursued a freelance career playing with orchestras in and around Washington, D.C.  Upon returning to Canada, Celeste joined the "Thirteen Strings" baroque ensemble of Ottawa with whom she performed for three years. She has also held the position of Concertmaster at the Orvieto Musica summer festival in Italy. Celeste is currently a member of the first violin section of Symphony Nova Scotia. She is also a member of the baroque ensembles "La Rejouissance" and "Tempest," and is a violin teacher and coach with the Nova Scotia Youth Orchestra.

Karen Langille, Violin
Karen has been a member of Symphony Nova Scotia since 1985, and a member of the Charlottetown Festival Orchestra in Prince Edward Island since 2000.  She is also active as a chamber musician and violin teacher, and has been a regular coach with the Nova Scotia Youth Orchestra for several years.   A graduate of McGill University,  Karen pursued studies in  both modern and baroque violin.  She was a founding member of McGill’s first Colligeum, performing on period instruments, and is a past member of  the  Studio de Musique Ancienne de Montreal.

Karen has worked with members of Tafelmusik Baroque Orchestra, and participated in summer sessions with renowned baroque violinists Simon Standage and Lucy van Dael,  at the Amherst Baroque Academy in New England.   She is a founding member of both Réjouissance and Tempest, ensembles specializing in early music performance on period instruments, and has recorded for CBC Radio 2 both locally and nationally.

Yvonne DeRoller, Viola
Yvonne received her bachelor of arts in applied music/music education from SUNY Fredonia, New York and her master of music in viola performance from the New England Conservatory in Boston. Her teachers included Francis Tursi at the Eastman School of Music, Charles Joseph, and Burton Fine. She also took a double major in English during her undergraduate degree.

Yvonne has been a member of Symphony Nova Scotia, and prior to that, the Atlantic Symphony, for 30 seasons. She founded and directed the Halifax Talent Education Suzuki School for 13 years, introducing the Suzuki Method to Halifax. She has taught violin and viola privately for 32 years. Yvonne is an active advocate of music education, having taught in the school system, as string syllabus coordinator for the Nova Scotia Kiwanis Festival for many years, as Symphony Nova Scotia Board rep to the education committee, as a music festival adjudicator, coach at the String Music Atlantic's summer camps, coach for the Nova Scotia Youth Orchestra, and as President of the Nova Scotia Youth Orchestra for two years. She was a fellow at the Boston Symphony Orchestra's Tanglewood Music Center and a participant in the Nantucket Island Chamber Music Festival before coming to Canada in September 1978 to join the Atlantic Symphony under Victor Yampolsky.

Yvonne also played in the Charlottetown festival orchestra for five summers. She is a former member of the Rhapsody ensemble, the Octet, and Tempest Baroque Ensemble. Currently, she is serving her fifth year as the Managing Director of the Nova Scotia Youth Orchestra.

Yvonne resides in Lunenburg County in an 1880's era home on the ocean, and is the proud mother of Lauren, an aspiring violinist who recently completed a bachelor of music in performance degree at Indiana University Jacobs School of Music, where she studies with Jaime Laredo. After her summer at the Schleswig-Holstein Festival in Germany, Lauren will be touring Europe and the Caribbean with her string quartet before returning to Indiana in January to pursue her performer's diploma.

Hilary Brown, Cello
Hilary Brown began her cello studies in Halifax, Nova Scotia, and received her Bachelor of Music and Master of Music degrees from Boston University.  She also studied as a Fellow at the Tanglewood Music Center in Lenox, Massachusetts. Hilary has toured Japan with the Saint John String Quartet (New Brunswick) and she has also performed in Europe and South America.  Hilary is currently a cellist with Symphony Nova Scotia and a faculty member of the Maritime Conservatory of Performing Arts. She has performed as a soloist with Symphony Nova Scotia and is heard frequently as a chamber musician on CBC Radio. Hilary is a member of the Blue Engine String Quartet, Trio Nova Scotia, Tempest Baroque Ensemble and La Rejouissance. Hilary has performed on many Maritime concert series such as Musique Saint-Bernard, the St. Cecilia Concert Series, the Mahone Bay Concert Series, Musique Royale, and the Indian River Festival on Prince Edward Island.

Max Kasper, Bass
Max has been the Princiapl Bass of Symphony Nova Scotia since 1986. As well as performing in many solo recitals over the years, Max has appeared as a soloist with the orchestra on several occasions. He loves playing chamber music, and has formed Duo Gatto Dolce with cellist Colin Matthews. You may have heard him in the Scotia Festival of Music, St Cecilia, or Music Room chamber series concerts. Max also has a keen interest in Period music; he plays in Halifax with Rejouissance and Tempest baroque ensembles, and has had the pleasure of playing in Toronto with Tafelmusik.

In addition to occasionally narrating the Symphony’s children's concerts, he organizes and hosts the ongoing series of public education concerts/lectures at the Halifax Public Library, and is the host of the Symphony’s “Musically Speaking” series.

He is now pursuing a second career as a bow maker, and has the unique distinction of playing on a bass and bows he has made himself. Max lives in Halifax with his love, Esther Ricketts, and their two cats: Xena and Murray.

Lena Turofsky, Bass
Lena is the Assistant Principal Bass in Symphony Nova Scotia. She graduated with her Bachelor of Music Degree in Performance from the University of Toronto in 1978. She was a member of the National Youth Orchestra for two summers, and has played with the National Ballet of Canada, the Hamilton Philharmonic, Orchestra London, the Thunder Bay Symphony and many other orchestras in southern Ontario. She moved to Halifax in 1978 to join the Atlantic Symphony Orchestra, and was a founding member of SNS. She has performed with Scotia Festival of Music since its inception, and has also been a member of the Charlottetown Summer Festival, in the Anne of Green Gables Orchestra.

Lena teaches at Acadia University, Dalhousie University and the University of PEI. She also teaches for the Halifax Regional School Board, and is a faculty member at the Maritime Conservatory of Performing Arts.
In September, Lena will be leaving for a sabbatical year performing with the Adelaide Symphony Orchestra in Australia.

Christopher Palmer, Woodwinds
Chris was born in The Hague, Netherlands of Canadian parents. At the age of four, his family moved to London England, where he grew up. When he was 17, his family moved back to Canada, but he remained in England to study at the Royal College of Music. After graduation, Chris taught woodwinds in the Mid-Lothian Schools district outside Edinburgh, Scotland, and while there performed with the Scottish Chamber Orchestra. Next, he moved to Kelowna, BC, taking on the position of Principal Bassoon with the Okanagan Symphony Orchestra. During his five years, he played in many recitals, and also was active as a teacher, accompanist, coach and conductor. Chris played occasionally with the Vancouver Symphony and the CBC Vancouver Orchestra.
In 1983, Chris moved to Ottawa to continue his studies, and played Principal Bassoon with the Ottawa Symphony Orchestra, as well as some engagements with the National Arts Centre Orchestra. In 1985 he came to Halifax to join Symphony Nova Scotia as second bassoon.

Chris has performed as soloist with SNS, given solo recitals, teaches, performs in other groups, plays organ at his church, plays jazz piano, and most recently he has become well-known as a composer and arranger, receiving commissions by SNS, Upstream Ensemble, Rhapsody Quintet, and the Blue Engine String Quartet.
David Parker, Brass
David Parker holds degrees in music from Boston University, the University of Toronto, and Acadia  University.  Further studies have included residencies at the Royal Conservatory of Music, Tanglewood, the National Repertory Orchestra, and the Pacific Music Festival in Japan.  His influential teachers have included Daniel Katzen, Hermann Baumann, and Eugene Rittich.  He has been a member of the Israel Sinfonietta, l’Orquestre Symphonique de Quebec, the City Orchestra of Barcelona, and the Kitchener-Waterloo Symphony.  He has also performed with the Toronto Symphony Orchestra, the Boston Pops Orchestra and the Boston Lyric Opera.  He has been a recipient of awards from the Canada Council for the Arts and the Nova Scotia Talent Trust. He can be heard regularly as a soloist and chamber musician on C.B.C. radio.  He is a founding member of The Music Room Chamber Music Society (Halifax) and performs at the New Brunswick Summer Music Festival and Scotia Festival of Music and as a soloist with Symphony Nova Scotia. David Parker was a member of the Nova Scotia Youth Orchestra from 1980 – 1984.   Mr. Parker has been Principal Hornist of Symphony Nova Scotia since 2000 and is on the faculty of Dalhousie University.
Mary Lee, Brass
Hornist Mary Lee received her musical training at the University of Toronto, Utrecht Conservatory and the Banff School of Fine Arts. She was a member of the Israel Sinfonietta before moving to Halifax to join Symphony Nova Scotia, where she currently plays second horn. Mary is on the faculty at Acadia University and the Halifax City Schools Fine Arts Department. In the summertime she teaches at the Acadia and University of New Brunswick music camps and often performs at the New Brunswick summer music festival in Fredericton. When she can squeeze it in, Mary enjoys hiking in the deserts and canyons of the southwest with her husband, photographer Stephen Patterson.
Michael Baker, Percussion
Michael Baker hails from a family of professional musicians and opera singers. Principal teachers include timpanist Cloyd Duff (Cleveland Institute of Music), keyboard mallet virtuoso Earl Hatch (Paramount Studios-Los Angeles) and snare drum genius Forrest Clark(Los Angeles Philharmonic-Music Academy of the West).

In 1975 he was offered the Principal Percussion chair with the Edmonton Symphony Orchestra. This position was declined in lieu of a simultaneous offer of Principal Timpani of the Mexico State Symphony (1975-77). Michael Baker is the founding Principal Timpani-Mexico City Philharmonic (1978), founding Professor of Timpani and Percussion-Escuela Vida y Movimiento, and founding president of the Mexico City chapter of the International Percussive Arts Society.

As a drummer, percussionist and timpanist Michael has enjoyed performing in almost every style of music from the Tommy Banks Big Band, studio sessions with Canadian ‘Songwriter of the Year’ Gary Fjellgaard, Citadel Theatre(Edmonton) Staff Drummer, arranger and staff drummer at Project 70 Studios(Edmonton), to the Committee on the Arts Orchestra(Los Angeles), Ventura Symphony, Orchestra of the Americas(Mexico City) and the Pan American Percussion Ensemble.

Internationally Michael has toured Europe, the Americas and Asia, performing in venues such as the Berlin Philharmonie, Kennedy Center, Amsterdam Concertgebeow, and Teatro Colon(Buenos Aires). He has performed under a long list of distinguished conductors such as Leonard Bernstein, Jorge Mester, Efrem Kurtz, Eduardo Mata and Kurt Klipstater, and appeared internationally with soloists such as Aldo Chicolinni, Cyprien Katsaris, John Cheek and Jorge Bolet. Recording credits include sessions for Angel, Radio Berlin, Royalty, Desto, Forlane, Varese Sarabande, EMI and RCA. By invitation of then Dallas Symphony conductor Eduardo Mata in 1982, Michael recorded the Chavez Partita for Solo Timpani at the RCA Studios in New York City. He subsequently performed the world premiere of this piece in Mexico City (1983).

In 2000 Michael was invited by Music Director Jorge Mester to return to the Mexico City Philharmonic as Guest Principal Timpani. During this extended sabbatical period he was also able to work on recording projects with the Orquesta de las Americas (broadcast on CBC Radio), freelance with numerous other Mexico City orchestras, and play drums in the Mexico City production of Man of la Mancha. He also played timpani in another recording project of recently discovered music of the Spanish Baroque.

Former students are Concerto Competition winners (Gabriela Gimenez-Manhattan School of Music). They perform in 14 orchestras in five countries, and teach at three universities. Other students are founding members of: Scrap Arts (Vancouver) and Tambuco Percussion Ensemble(Mexico City) Michael Baker is an endorsee of Sabian cymbals and Remo drum heads.

 

Board of Directors

Alison Leverman
Joan Danson
Andy Horn
Cathy Baur
Mark Gosine
Karen Langille
Patricia Spaulding
Paula Wheeler
Pam Mason
Kathy Gartner-Kepkay
Cheryl Spurr
Leslie Hopkin

Fran Power

President
Vice President and Librarian
Secretary and Production Manager
Treasurer
Legal Advisor
Human Resources
Women for Music Representative
Volunteer Coordinator
Communications
Public Relations
Fundraising
Fundraising

NSYO Foundation


Staff

Yvonne DeRoller
Ben Atkinson
Anne Severinus

Managing Director
Webmaster
Summer Office Volunteer